Earthlings Letter #5 – “Still Life”…Let’s Talk about Rocks!

Jeff & Susan • June 19, 2015

Greetings Earthlings!  For a while we are going to leave the lively strutting of life that photosynthesis makes, the plants and animals and us, and take a look at the ‘still life’ of rocks.

A drawing of a rock in a square on a white background

Rocks!  One of my favorite things on Earth.  Those objects that just sit there and don’t go anywhere, but they contain all the mysteries of our Earth’s history.  Believe it or not we started to think about rocks when we were examining dirt. Yes, one ingredient that makes rock is soil.  Plants and animals are not the only things that are dependent on soil.  At some point in the development of the rocks we call ‘biologic (related to living things) sedimentary rocks,’ they were soil.  Soil, that is made from the decay of plants and animals, became this kind of rock.  Some very ‘young’ rock of this type you can pick up and easily break apart with your hands.  It is little more solid than dried mud.  Older sedimentary rock is ‘solid as rock’.  This happens because of the way that these rocks form, over millions of years.  To understand how they are formed we must understand what activity the word ‘sedimentary’ is naming. 

 You studied sediment when we examined soil in the first Earthlings Letter.   Sediment was what settled to the bottom of the jar of water into which you dropped a soil sample.  The word sediment comes from a Latin word, ‘sedimentum’, that means ‘a settling’.  If you have ever observed a chicken getting ready to rest you will have noticed it’s process of settling and finally staying in one place, very content.

A drawing of a chicken with the number 2 on it

The Latin word, ‘sedere’, is also a root of the word sediment and it means, to sit.  So what we are noticing, in the case of sedimentary rock formation, is particles of decayed plant and animal matter drifting through water till they finally settle on the bottom of the river bed, ocean, lake or whatever, and stay put.  Over lots and lots of time, (millions and millions of years) many, many layers of organic matter drift and settle and create pressure by their weight on the layers below them.  Also, the pressure of the water above them is added to this and compresses (makes them flat and thin) the layers, finally making the deposits under the most pressure, in the lower levels, bond together into sedimentary rock. 

A drawing of a book titled organic stuff

Now, I mentioned that rocks contain the mysteries of Earth’s long existence. Let’s see how we can start to ‘read’ this story in rocks.  Sedimentary rocks are some of the easiest to read.  They can sometimes even have messages stamped right on their surfaces!  We say that these rocks have ‘fossils’ in them.  First, I will define ‘fossil’ then we are going to do an experiment.  A fossil is the remains of an organism preserved as a mold or cast, in rock.  This word comes to us from the Latin words ‘fodere’, to dig and ‘fossilis’, dug up.  Now let’s do an experiment.  All you will need is a piece of clay or damp mud and an object of your choice that you can easily hold in your hand.  Now form your clay or mud clump into a ball maybe three inches or so across.  Press the object you chose into the surface then gently pull it away.  You will notice that the texture (The way something looks or feels on it’s surface) of your object has left its impression in the clay.  This is called a mold of the object.  And if you were to fill that mold with plaster, let it dry, then pop it out, you will have made a cast of your object.

A drawing of a flower in a purple square
A drawing of a pair of glasses in a square frame

 I have a collection of fossils that are both molds and casts.  They are mostly ancient clams and some plants.  I have been able to find these because 3 million or more years ago or so there was a part of the Atlantic ocean covering where I live today.  Many kinds of clams lived in that shallow sea and died there and were covered by sediment, layer after layer.  The pressure of these layers acted like your fingers pressing an object into soft clay.  The object disintegrated but its impression remained, ‘set in stone’.  

So how can we read these fossil stories?  We must slow our selves down and pretend we have ‘all the time in the world’.  And, by the way, this is how much time rocks have had to develop!  A trick you can do to slow yourself down and observe in different ways is to close your eyes.  The information we get from our eyes is wired directly to the words we have been trained to use when we refer to objects we see.  So often we leap to the word that will describe ‘in general’ (very simply) what we are looking at.  We don’t linger and let ourselves make discoveries that the ‘namers’ may have missed!  When you close your eyes you are activating other senses that are excellent observers but are often taking back stage to the ‘star’, which is sight.  So, chose a rock that interests you and if you can find one with a fossil in it, great!  Now, hold it in your hands and close your eyes.  Let your rock tell you things about itself through your sense of touch,  how rough or smooth is it, how cold or warm.  See if scratching it with your fingernail will break pieces of it away.  This will tell you something about its age and what it is made of.  Observe through your sense of smell, is it an earthy smell, a metallic smell, or sulfurous, etc.  If you wet the rock this can bring out the scent of it more clearly.   Even your hearing will give you clews about your rock, for example, if you hear a stream near where you found it, flowing water could have helped it form.  Start to open your mind to all the possibilities and activities of nature in the area where you found your rock and you will begin to piece together in your imagination what has formed it to its present state. 

Here is what I have observed, about a rock I am holding, that has a fossil cast in it, with out using my sight to help me.  I know, it is very hard not to cheat and look!  The first thing that I notice while I hold the rock in my hands is how cold it is.  So I start to think about why it is cold.  We understand that sedimentary rocks are formed from small bits and particles under massive pressure for a long time.  These particles are forced very close together and create what we refer to as a dense object..  The denser an object is the longer it will stay cold or hot.  It takes longer to heat up and longer to cool down because each of the particles of the rock has to give up its portion of hot or cold in order for temperature change to happen.  And there are so many of these particles in the rock!  If my rock had been sitting out in the sun it would be warm.  It is cold because it gets cold during the night.  And it will take a while for it to warm up when the sun shines on it.  Even a rock that is warm to the touch may still be cool deep inside if you were to break it open. It still has the coolness of the night inside it.  And did you know that rocks move!  When it heats up it expands (gets bigger) a little and when it cools down it contracts (gets smaller).

A drawing of a rock with a face on it.

Next, I smell the rock and it smells earthy.  This tells me that it is made up of mostly decayed organic material and is a ‘young rock’.  Only millions of years old!  Finally, I begin to feel the cast of the fossil.  There is a special kind of writing that is called ‘braille’ and it is used in books for people who cannot see, so that they can read.  This writing is made up of raised groups of dots, each one representing a letter in the alphabet. 

A black and white drawing of a braille grid

In this way words can be punched into paper so that a blind person can read them with their finger tips.  I am going to try to read the ‘braille’ of Earths alphabet in the fossil form under my fingers.  First, I feel ridges that radiate from a central source.  The overall shape is not quite round,  it swells a bit like the surface of an egg and it is mostly smooth and feels longer than it is thick.  Since I know that I found this fossil where there used to be an ocean, I can guess that it is an animal that lived in the sea and protected itself with a shell.

A drawing of a pearl with a face on it

It is the shape, of a once living creature turned into stone, that my fingers ‘read’.  And this is just the start.  One answer leads to another question and another answer and another question and on and on…   Our Earth is alive in countless ways and life causes change and change creates more questions for us to think about.  There will always be some thing new for you to try to figure out!   So, if  someone says to you ‘those are just a rocks’, you can reply,  ‘they are not just rocks, they are capsules of earth history.  And they tell us wonderful things!

September 15, 2025
Japan Log, Part 3 General impressions, Japan and Jeju South Korea
September 9, 2025
I went to the Nagasaki Museum of Art. There was a special exhibit there called War in the Eyes of Artists; from Goya to several Nagasaki artists. Though I had deliberately avoided visiting the epicenters of the atomic bombings of Hiroshima and Nagasaki for reasons I have already expressed, seeing this exhibit at the museum was just as intense. For this log I am going to highlight a display I found most moving. I am including the youtube address where it can be seen and heard. Place address here The display starts with a poem and an illustration. Both commemorate the bombing of Nagasaki. After viewing the illustration and reading the poem you enter a small theater to sit down and watch an animation of the illustration set to music. All the children, adults, animals and Shinto like creatures that are in the illustration (in a huge tree) come to life and move to the rhythm of the music. A male voice sings overall, lyrics that may have to do with the poem, written by singer/songwriter Masaharu Fujiyama and entitled, “Kusunoki; Blown by the 500-year Wind.” The illustration is the work of an artist named Junaida. The lyrics were inspired by the Kusunoki (camphor trees), which survived the atomic bomb.
September 2, 2025
Shizuoka
August 25, 2025
We dock at Hakodate, Japan on the 80th anniversary of the bombing of Hiroshima and Nagasaki. That stands as a singular horror among the many horrors humans commit on each other and Nature and continue to commit to this day. There is no apology possible and unfortunately nothing may have been learned. We still threaten each other with nuclear weapons. No treaty has stopped the building of nuclear bombs. I wonder how the Japanese people keep the memory of this tragedy so that living can continue with some normalcy. Maybe it can be equated to a typhoon or earthquake, like a natural disaster having no morality or intention. It has influenced their imaginations ever since though, revealed in movies like Godzilla and in their Manga. Threatening creatures, imagined power that cannot be controlled or resisted. People can be like a natural disaster to each other. People can also be wonderful. We saw this as we left the city. A small group of dancers appeared on the dock to say goodbye. The dancing they did was so charming and touching. It was a traditional dance, maybe 15 dancers. About 8 people played instruments to accompany them, flutes, drums and other unique percussion. Watching from the top deck of the ship the dancers appear like exotical dolls. Three warriors pantomime their strength, emphasized with elegant gestures of their fans and their golden, brightly tasselled headdresses that bow and flash in opposition. Then the little children emerge, five of them. Their elders position them precisely and they wait for the music to begin. Their tiny movements are sweetly in time as they step then extend their fans to tap the air with it lightly, creating a feeling of certainty and control. Moving to one side with a gliding motion they unfurl their fan, flourish and close it, then glide to the other side and do the same. The dance continues with variations of these movements and some new ones punctuate occasionally. So intent and serious, each tiny performer dressed in elaborate traditional clothing, a magical, miniature display. The dance becomes hypnotic as it continues to the simple rhythms of the drums and flutes repeating and repeating an ancient significance remembered by a few. After they finish, our ship pulls away with several blasts from the horn. The tiny dancers wave goodbye, with their hands crossing again and again in front of their faces, for so long it seems as if they might continue until we are out of sight. Finally we are too far away to hear the children cry out. This experience was fleeting and very moving. A dancing gesture of dignity and friendship. People are not their military, they are not their government. They have to participate in their society but they are first of all human. They want to create understanding beyond language and country.
August 12, 2025
Alaska feels like a different country; not like one of the United States. Maybe its vastness and extreme climate have created this unique presence. People who adapt themselves to living half the year in darkness and half in light, in a lot of cold and rain with magnificent beauty all around, this has an impact. The unique environment of Alaska transforms people.  The Tlingit were one of the aboriginal Alaskan groups. They crossed the Bering Strait from Asia, approximately 9,000 years ago. There are also some theories about individuals island-hopping from Polynesia. Both scenarios may be true. Nonetheless, they formed a highly complex social, legal and political structure along with extraordinary creative arts and oral culture. Before European contact their population reached approximately 20,000. Status was based on birth and wealth, creating a hierarchical social structure. There was a noble class (determined through hereditary) followed by medicine men and women, warriors, traders, commoners and slaves. The Clan House was home to three resident classes; nobles, commoners and slaves. The construction of the Clan House was a sacred event involving rituals for the dead. The two ritual groups (moiety) were Raven or Eagle/Wolf, and they were expected to marry outside their group (exogamous). Tlingit followed a matrilineal clan system. Children inherited the clan side of the mother. All rights were through the mother; these include fishing, hunting and gathering places, the use of certain clan symbols, totem designs, house decoration and ceremonial clothing designs. The Clan had spiritual, psychological and medical protection from a medicine man or woman. They were also known to control weather, bring luck, predict the future, expose witches and speak to the dead. They did not cut their hair in order to keep their power strong. Their power would pass to a younger relative when they died.
August 4, 2025
Some context for this trip and log. The ship we are traveling on is the Villa Vie Odyssey. It is a small cruise ship with about 300 passengers and 300 crew. We have bought a cabin aboard. My plan is to document one circumnavigation. This will take about 3 and ½ years. So far this has been a record from when we boarded in Barbados, going through the Panama Canal, up the western coast of Mexico over to Hawaii then up the western coast of the United States to Alaska.The following is an account of Alaska. After this we will travel to Japan. Thank you for your interest. I was unprepared for the profound beauty of Alaska. The more you see, the more it astounds. How is it possible that people could hunt seals, foxes, wolves and beavers to extinction, log evergreen trees to bare brown ground - as if a massive electric shaver was used to mow the mountains- that grow back in patches and trails made for giants? Vastness is not endless. The harsh environment, remoteness and beauty did not protect them. Still, how was it possible? Only people caught in a frenzy of commerce could do this. The same frenzy that brought thousands of men with dreams of making fortunes in gold to remote outlands of Alaska. They became insane devourers. Luminous white water rushes from a cleft at the top of the mountain sliding in and out of evergreens to the river below, pinched along the way by grey rocks. This was the land of the Tlingit for at least 10,000 years. Theirs was a highly developed social structure equal to those found in Europe. Spanish contact in 1775 dropped their population by about 80 percent, with typhoid fever, scarlet fever, and measles. The Russian fur trade changed their lives even more. It began after Vitus Bering’s 1747 expedition and “discovery” of the Bering strait. Sea otter pelts were the incentive. Other fur was also sought but sea otter pelts were the most coveted. It is the warmest fur. It has the most hairs per square inch of any animal fur. An adaptation that allows it to live in the extreme environments of Alaska. Unfortunately for the otters its fur can be made into the warmest of coats. By 1799 the fur trade was thriving. It involved the forced labor of the indigenous people. Their local knowledge of the animals and their hunting expertise were essential. This industry brought significant change to the native communities, disease, dependence on trade goods and inter-tribal conflict. Russia traded furs to China and Europe. When competition for pelts and political factors involving Russia affected their ability to continue the trade, Russia sold Alaska to the United States. The US had been pressing westward and getting involved with trapping, fishing, mining, logging and homesteading. In 1867 the US bought Alaska from Russia for 7.2 million dollars. In 1788 the US entered the maritime fur trade; sea otter furs for Oriental goods. By 1801 the US controlled the fur trade at its height and Boston was at its center. When a major discovery of gold was made in 1896, Alaska became the gateway to the Klondike gold fields. Purple mountains are passing by my window as we glide to our next port. I can watch this ‘movie’ before I go to sleep. It stays light till around midnight and never becomes completely dark. The sun is up at 5:00. Locals describe the endless darkness of the winter months as depressing. “What do you do?” “Watch movies, watch TV.” Native people used the long dark Winters to create. The memories of summer beauty and important events, documented in beadwork, carved figures of animals from walrus bone, charms for hats and masks, hand made fur garments beautifully beaded with flowers, leaves and animals, scrimshaw pipes of bone, a crown for a baby beaded and decorated with carvings, two white pom poms hanging from thin leather strips on either side. The intensive summer hunting over, food dried and stored. Time for handwork, music, story telling and conversation. While the mountains and sky silently hover near in all their variety and beauty.
July 21, 2025
Seattle, Victoria & Vancouver Seattle, Washington US, June 25, 2025
July 14, 2025
The United States, chapter 8 San Diego, June,17 - San Francisco, June, 22
July 7, 2025
Hawaii, 6/1/25. CAW, ch 7 Part 2
June 30, 2025
Hawaii, 6/1/25. Part 1
More Posts